As I said at the beginning of this review, now is a good time to be an audiophile. No shortage of machismo – it has to be an American power amp, right? These voltages (which we’ve rounded for use here in the text) were measured at the unbalanced outputs – the voltages at the balanced outputs were 2-volts and 6-volts respectively (again rounded). With all due respect to Schram, we can’t quite see what’s so hard about extracting four screws, removing a lid, setting a DIP switch (or two) and then replacing both lid and screws, because for most audiophiles, this would be a one-time only process, so once it was done, it would stay done and never need to be done again. Overall, the A23+ amplifier brings a lot of value to the table that easily justifies its $1595 price tag. Our Verdict. – frequencies that should be removed because they weren’t ever supposed to be there in the first place. The Parasound 2125 is a nice clean and powerfull amplifier that I use to push my Center Channel (Klipsch RC-62II). Also, the A23+ presented the music with a sense of tightness, with quick transients and nimble attacks. The A 21 amplifier is loaded with usable features above and beyond most other amplifiers. Bravo. You will receive a verification email shortly. © Gold-plated RCA input jacks ensure quality sound playback. With these upgrades, the A23+ is listed at $600 higher MSRP than the A23. Both channels are driven, with 150 watts-per-channel into 8 ohms. In the Audio turn-on option, the amplifier will be turned on when an audio signal is present at the input connectors. Two sets of five-way speaker binding posts are available for speaker connection. (The small glitches in the response at 50Hz and 150Hz are due to some mains hum creeping into the measurement and should be ignored.). Does this new amplifier offer the quality and value in line with Parasound’s reputation? He wanted the XRM to offer versatility and convenience and thought that the design should be informed by viewing it through the eyes of a vinyl enthusiast rather than an engineer. The rhythm and pace as well as the relaxed atmosphere of the song were conveyed nicely, which made me feel like swaying with the music. So, after first cleaning each LP after purchase, it gets its first playing on our second-best turntable, so that if it’s too scratched, or the groove too worn, it’s only a fairly low-cost, easily replaceable stylus that is bearing the brunt of the damage. Rather frustratingly, Ortofon’s load impedance recommendation is disappointingly wide, at ‘50-200Ω’. It is capable of portraying satisfying soundstage too. – A.D. 1611 (2007) album. The A23+ also sports the left-right loop output connectors that pass through the input audio signals for daisy-chaining additional external amplifier(s) or for connecting subwoofer(s). This amplifier should be on the audition list for someone who is in the market for sub $2000 stereo amplifier. I bought this amp direct from another authorized vendor (Audio Advisor). Very nice. Have the P5 pre and the sound is sweet. In general, the sonic attributes of the A23+ score highly in my scorecard. This puts the audio band frequency response at 20Hz to 20kHz ±0.45dB, which is excellent. If you’ve heard of it, you probably also know that the best-known exponent of it, at least in the Western world, is Suhail Yusuf Khan, who’s been in a trio with guitarist James Yorkston and double-bass player Jon Thorne for some years. All the way through the album, the Zphono XRM stayed a constant at revealing the complex timbres of LP’s unique voice and kept up with the different vocal stylings she uses from cut to cut. Graph 2 shows the same response as Graph 1, but with a magnified vertical graph scale, so you can see the frequency response of the Zphono XRM in more detail (though we lose the response of the filter because of the scale magnification). Despite a cramped rear panel and relatively plain design, the Zphono XRM packs in all the high-end performance, power and functionality you could ever want from a phono preamp. (It’s a mystery.). Channel separation at 1kHz was measured by Newport Test Labs as being 85.4dB, which is an outstanding result for a phono preamplifier. Parasound’s Zphono XRM certainly wrought its magic throughout this album and the more we listened the more impressed we became. This is only a fairly recent set-up which came about when we discovered the huge number of great LPs that is available for sale at garage sales. When set to the Manual position, the amplifier can only be turned on or off using the on-off button on the front panel. Parasound’s amplifiers are well known and established products, which is of no surprise considering the legendary amplifier designer, John Curl, has been involved in the company’s amplifier product development since its early years. And of course if your cartridge falls firmly into one or the other of the ‘high output’ or ‘low output’ camps, you won’t need to give this issue a second thought. At CES, Sound Lab mates its M-1s with Parasound’s top-rank $7000 JC 1 monoblocks. For Punchy, engaging sound Broad, deep soundstage Possibly the weirdest track on this album – and maybe the weirdest song we’ve ever heard – is their cover of Little Black Buzzer (Ivor Cutler), but it’s a smorgasbord of sound, helped out by Lisa O’Neill and by what I can only imagine is Khan scatting in Indian. Next, with thoughtful flexibility and using trickle-down technology from their flagship HALO line of products, Parasound designed a fully-featured integrated amplifier around this unit. It showed no signs of losing composure even when pushed to relatively high-volume levels. Probably not. This amp has the muscle to control your speakers. If Ortofon had been specific and recommended a load impedance of, say, 63Ω, anyone whose phono pre-amp did not offer this exact value might seriously consider not buying the cartridge. Greater overall capacity with the monos, obviously. We assume it’s at the rear to keep signal paths as short as possible, so it’s hard to be critical about something that’s giving you better sound at the expense of a modicum of inconvenience. It fills the hole that was left in 2012 when Parasound discontinued the $2,500 A 52. Parasound NewClassic 200 Integrated Amplifier Review. The amplifier seemed to present music in high definition with no blurred boundaries among its musical elements. Hunting these down has now become a major Saturday pastime. I bought it on sale which helped my decision. It runs quite warm when it is running, so it will come up to a stable operating temperature almost immediately after you switch it on. Company Product Page: http://www.parasound.com/zamp-v3.php 240 watts x 2, 4 Ω both channels driven, 210 watts x 2, 8 Ω both channels driven This means that the minimum load impedance for the Cadenza has to be 50Ω. After evaluating and auditioning several Class D modules, Parasound selected a 110wpc unit from Pascal Audio. As for the reason for adding yet another phono preamplifier to the Parasound product portfolio, Schram says it was the result of a thought exercise. This amp delivers dynamic sound quality and you can tell the difference at low volumes. The image presentation of the singer was neutral portraying an intimate overall soundstage. Obviously, this approach also meant we could accommodate two turntables or a turntable with two tonearms.”. The JC 1 was powerful, at 400 watts RMS into 8 Ohms. Because of this, we would have found it slightly more convenient if the gain switch had been on the front panel rather than on the rear. I have it bridged @ 400w and it does the job. Available in black with gold accents or silver, the HINT 6 is aimed at those who want the simplicity of having one piece of equipment versus two or more separate components, it also eliminates the need for additional power and interconnect … The A23+ also has 35% more filter capacitance (54,400 µF vs 40,000 µF), which is said to improve the dynamics and short-term power. At high frequencies, you can see the response of the Zphono XRM rises to be +0.5dB at 13kHz, then +0.65dB at 20kHz and +0.75dB at 30kHz. A good result. Next up we just had to hear how the Zphono XRM reproduced the sound of the sangari, a stringed instrument whose sound is famously difficult to reproduce, not least because it resembles the sound of the human singing voice. 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